Unlike Eaismo, recommending artists to pursue painting values (and poetry), the arte nucleare movement tried to promote a new form of art in which painting was marginalized. The main representative of the arte nucleare movement was Piero Manzoni, who in this context, for the first time in his life, put his talent in evidence. Plenty of Italian artists, in Milan and Naples, and foreigners like Yves Klein, Asger Jorn, Arman, Antonio Saura joined the movement. ![]() In 1951 the painters Enrico Baj and Sergio Dangelo created the Arte nucleare movement, criticizing and putting the repetitiveness of painting (as an artistic and commercial phenomenon) in discussion. In 1948 Voltolino Fontani depicted the disintegration and fragmentation of an atom on canvas, by creating the artwork: Dinamica di assestamento e mancata stasi. The artistic group was strengthened by the poet Marcello Landi and by the literary critic Guido Favati. It was a movement of poetry and painting, founded by the Italian artist Voltolino Fontani, aiming to balance the role of men in a society upset by the danger of nuclear radiation. In 1948, the artistic movement of Eaismo published a manifesto illustrating some aspects of the atomic age and, at the same time, criticizing the industrial use of nuclear power. Photographer Yōsuke Yamahata began taking photographs of Nagasaki on Aug(the day after the bombing), however his photographs were not released to the public until 1952 when the magazine Asahi Gurafu published them. ![]() occupation authorities controlled the release of photographs and film footage of these events, while photographers and artists on the ground continued to produce visual representations of the effects of nuclear warfare. In the days, weeks and years following the atomic bombing of Japan, trained and untrained artists who survived the bombings began documenting their experiences in artworks. László Moholy-Nagy, Nuclear II, 1946 (Milwaukee art museum) Conception and origins
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